Social

Movie Review: A deftly choreographed nightmare unspools in Norwegian film ‘Armand’

A mother is called to her child’s school for an urgent meeting with his teachers in the Norwegian film “Armand,” a riff on a claustrophobic courtroom thriller set in a primary school classroom.

Movie Review: A deftly choreographed nightmare unspools in Norwegian film ‘Armand’

The film, which won the best first feature prize at Cannes last year, dolls out bits and pieces of information slowly and purposefully, building not a solid set of answers but a web of complications and ambiguities. It is a strange and fascinating experience that may be a bit frustratingly inconclusive but is never not compelling.

Even the inciting incident is withheld from the audience for a time. We’re thrown into a conversation between a junior teacher, Sunna , an administrator type Asja and the school’s principal, Jarle . Asja and Jarle are entrusting Sunna to lead this conversation . None of them are even quite sure what exactly happened, whether it was innocent or malicious, or what to do if they can get to the bottom of it. Jarle advises Sunna to treat it soberly, whatever that’s supposed to mean.

Not even Armand’s mother Elisabeth gets a hint as to what the meeting is about. She’s a famous actress whose career has come to a halt and who has been tabloid fodder recently. Elisabeth arrives at the classroom first and wants answers, understandably. Sunna must awkwardly delay providing any information until the other parents arrive to Elisabeth’s increasing frustration. Sunna even stammers something reassuring that it’s not too bad. She is, of course, lying because the accusation is serious and beyond any of their depths. Armand’s classmate Jon has apparently told his parents, Sarah and Anders that Armand has sexually abused and threatened him. They’re both 6-year-olds.

These aren’t just schoolmates either but cousins and that’s only the tip of the iceberg of trauma and shared history in this room, haunted by characters who aren’t even present: Armand and his dead father, Thomas. Neither of the kids is shown through the duration, and there’s much debate over whether 6-year-olds would use the language that the adults allege.

“Armand” is the directorial debut of writer-director Halfdan Ullmann Tøndel, who has the daunting pressure of being a descendant of cinema royalty. As if making a movie isn’t hard enough on its own, Tøndel’s grandparents are Liv Ullmann and Ingmar Bergman. And perhaps because of that “Armand” pushes away from the conventions of a straightforward, talky character study and plays with our perception of reality. Twice Elisabeth breaks into choreographed dance — both expressions of her emotional state and one of which takes a particularly sinister turn.

One might expect that two unexpected dance sequences would be the standouts in a film, but “Armand” has another. It’s also a release, in a way. After a while of back and forth, debates, reveals and non-starters, Elisabeth breaks out into uncontrollable laughter. This stretches on for several agonizing, astonishingly impressive minutes of mad exertion. It’s really quite an acting marvel from Reinsve — and everyone else in the scene watching it all play out. A broken fire alarm that goes off sporadically helps keep the atmosphere nice and tense, as does Asja’s random nose bleeds that always seem to derail pivotal decision-making moments.

“Armand” engages in some stylish wheel spinning, broken up by some revelations and cathartic moments. And yet every time you feel like you have a grasp on the situation, something else arises that seems to undermine it. Ambiguity and inconclusiveness can be satisfying in cinematic storytelling, but this feels a little too underbaked either way. Ideas are introduced and abandoned, or not fleshed out well. Why, exactly, has she stopped working, for instance. And what’s the story behind Anders’ and Elisabeth’s relationship? It’s a promising debut from Tøndel, nonetheless — a film that will keep you engaged if not entirely satisfied.

“Armand,” an IFC Films release in theaters Friday, is rated R by the Motion Picture Association for “sexual material and some language.” Running time: 116 minutes. Two and a half stars out of four.

This article was generated from an automated news agency feed without modifications to text.

Source link

creativebharatgroup@gmail.com

About Author

Leave a comment

Your email address will not be published. Required fields are marked *

You may also like

Social

Kate Winslet puts often-debated ‘room on the door’ argument from Titanic to rest: ‘It was a bannister’ | Hollywood

In a recent interview, Academy Award winner Kate Winslet shed new light on the iconic scene from the cult classic
Social

'Relief' For Diddy Amid Lawsuits, Court Slams Federal Prosecutors

‘Relief’ For Diddy Amid Lawsuits, Court Slams Federal Prosecutors Source link